Denny Sinnoh's "Akihabara Starlight"

I have been enjoying my new Hanko Oku CD + DVD these past two weeks.  I am a huge Oku fan, however sometimes I cannot figure out exactly what is happening in some of her music videos.  In this report, I will provide my impression of  what is transpiring in the new video.  I know.  I might as well try to figure out the end of David Lynch’s “Mulholland Drive” … but here goes …

Update: 01/22/2015  Record Industry Weasels took down the video posted. The official video from PonyCanyon is only 1 short preview. Sorry.

Please note that I am providing my interpretation of the VIDEO — not the song.  The music video director may have a different vision than Hanako Oku did when she wrote the song.  My null hypothesis is that the song is basically about love gone wrong, or broken hearts.  It is a general Oku theme.  However, Oku-san is very good at musically fleshing out such concepts.  I’m going to assume that the Mariya Suzuki character is supposed to represent the young Hanako Oku.  … or is at least the given Oku song protagonist.

Hanako Oku is seen throughout the video singing and playing the electric piano on a seaside beach in winter.

At time 0:45 we see Mariya sitting at the dresser mirror in her bedroom.

Oddly, as the lady gets up, her mirror refection stays seated, and even looks up and watches herself leave.  (Make sense?)

I think that this means that she is finally able to let something go.  She is willing to finally release something that has been a part of herself for a long time.

We next see Mariya riding a bus.  She is going on a trip.  Perhaps to confront something.

The bus arrives at a seaside resort.  It is the cold “off-season”.  The “winter” in “Winter Fireworks” of course.

Mariya arrives at a nearly deserted restaurant.  She sits near a window.  Outside, there are three young people – one boy and two girls – walking along.  They are all friends apparently.

The youths encounter a wall, and one of the girls decides to playfully tightrope-walk down the top of the wall, while the other girl, not noticing, walks parallel to the wall.  The boy helps the girl who wants to walk the wall.  He takes her hand.  The other girl notices.  The girls body language says that something is suddenly, terribly wrong.

I believe that this is the exact moment when she lost the love of her life.  

Because the boy took the other girl’s hand to help her up, this was the moment that the boy decided who he liked.  The helping-hands couple were at that moment …  a couple.  The girl left alone is frozen in disappointment.  If only she had been the one to take that step.   It happened that fast.   Perhaps it was one of these chance moments that could have gone either way.  Have you ever turned left, instead of your usual right, then encountered something unexpected?   One little change, one chance moment — may change the course of one’s entire life.

Mariya looks out the restaurant window.  This is where it happened.  This is the anniversary of the winter-time date it happened.  Mariya looks on at the girl left alone (herself) sadly.  This is the epiphany she has. One seemingly insignificant moment changed her life forever.  In that moment the one she loved the most was gone.

Years later, she is only now ready to let it go.  She is revisiting the scene so that she can finally let it go.

At time 3:25 during the song, Hanako Oku takes her hands off the keyboard and holds them up in front of her as she continues singing.  So who is playing the piano?  Who does she think she is … ELVIS ?   (Elvis Presley sometimes would not finish a lyric, or even a song — well, because he’s Elvis.)

There are some scenes of Oku-san playing at the keyboard, as artificial snow flies by.  There are several cascading flashbacks of the moments previously seen.  Finally we see Mariya standing next to Oku-san playing the piano.  Mariya has now moved on, and looks skyward – to the future. She has made the mindful decision to stop beating herself up — about something that happened a long time ago, and cannot be changed.  She has gained the compassion to forgive herself.

Both Oku-san and Mariya absorb this moment deeply.   Maria is having a moment of mindfulness as the video ends.

It might not look like much, but is life not punctuated by moments such as these?

—————————————————–

It took this starlight 27 days to reach my world.

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Comments on: "What happens in Hanako Oku’s music video for FUYUHANABI ?" (7)

  1. Quite a thorough analysis you have here. I thought the video didn’t match as well as it could have (and I still think that), but this gives it a little more meaning. It’s definitely not one of her best videos — I’d have to go with Hatsukoi / 初恋 for that — but I’m sure there’s a reasonable explanation behind it, and I think this comes close if it doesn’t hit it exactly.

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  2. Reblogged this on Thoughts on Oku Hanako and commented:
    Regular reader Denny Sinnoh posted an analysis of the music video for Fuyu Hanabi / 冬花火 on his blog. Admittedly, most of Oku Hanako’s music videos are of her playing or walking around, but Fuyu Hanabi had more substance to it. I find this analysis gives the song a little more meaning.

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  3. […] in the video “Winter Fireworks” (by blog linked here) there is a love triangle.  Maybe it is about the GIRL who got away, not the […]

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  4. […] Hanako Oku in “What Happens in Hanako Oku’s Music Video for “Fuyuhanabi” linked here. I wasn’t trying to be funny here. Oddly, it is the only one of my Hanako Oku posts that was […]

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  5. Curse those weasels for taking down the vid.

    Liked by 1 person

    • I think that they have the preview video available on her web page, but it is blocked in USA.

      I don’t blame Oku-san. She as a Japanese woman she would never be disrespectful to her management or buck the record company even if she disagreed with their policy

      Liked by 1 person

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